Magical Creatures Part 2

As I once did so long ago, here is a second magical creature out of a drawing book I have. I'm not very good at small form detail or hands but I gave it a shot.

Comments welcome!

Long Exposure Photography

As I mentioned in my previous post, I love long exposure photography. It took me a year to post these, but I finally pulled my photos off the wall and scanned them in. I took these photos in 2009 for a photography class in college. They were taken with a Nikon SLR 35mm film and were processed and printed by hand.

Alexey Titarenko | Photography

I love long exposure photography. It's probably something every artist tries out in their lifetime, but I can never get enough of it. There is something about showing time passing that is incredibly fascinating. I found this photographer, Alexey Titarenko the other day through a tweet and I immediately had a flash back to my senior year in college. In my next post I will show you four of my own long exposure photographs, but for now enjoy a bit of Mr. Titarenko's work:

Magical Creatures Part 1

Last month I bought the book "How To Draw Magical, Monstrous & Mythological Creatures," and today I did my first drawing out of it. The proportions are a bit off, and I lost her forehead, but I don't think it came out that bad.

On to the next one!

Interviews with Paula Scher

Paula Scher is one of my favorite designers - I find her very inspirational, and I only wish to one day meet her. These are a couple of videos that I stumbled across today, they really make me want to move back to NY.

#1 27 Letters: And Interview powered by Getty Images

#2 Part 1


#2 Part 2

The Things I Remember

As a designer, art director, project manager, social media guru, and coordinator of the website I find my processes constantly changing. The other day, I started thinking about all of the ways I initially learned how to design and all of the ways I used to keep my mind creative, and I realized how much I've really changed. 

Sometimes change is good.

Once upon a time I used  to print out pages and pages of imagery that I researched. I would use those images as inspiration, and sometimes tracing guidelines. Today I do the same thing, but I also use these images for industry competitive analysis. 

The more ideas, the closer the solution. 

Once upon a time I used to spend days upon days with pencil to paper on a large amount of ideas. Nowadays I do a 20/20 (20 concepts in 20 minutes) along with other creatives and we end up with 40–60+ ideas to consider. One of the biggest problems is that about a third of those ideas end up being unusable, but still, it's pencil to paper.

I still like to stick to tradition.

Once upon a time I was glued to a light table like it was my only friend in the world. Sketch after sketch, trace after trace. Sometimes it didn't get me anywhere, but then I would remember to turn the paper.  What do I do now? I copy and paste, copy and paste, but what I never do is, turn the 'paper.'  If you have a good idea, but it's not quite working the way you'd like it to, try again. Turn the paper. Rip the paper. Disassemble your sketch and put it all back together again. Sometimes a little rearranging will turn your good idea into a great one, and sometimes it will tell you once and for all that it just won't work.

I try not to get myself discouraged.  

Once upon a time I would complete my entire design on paper using pencil, ink, gouache even (imagine that!), before even getting on the computer. Sounds like a big waste of time doesn't it? I worked this way because I would often get on the computer and not really have an understanding of how I should build my design. Getting everything on paper helped me to map out the build. Today, I've taken a step backward. I don't get everything down on paper first, I haven't in a long time. There doesn't ever seem to be enough time to completely map out an idea, not even in just pencil. The world is in a rush, so computer it is. 

You will never be finished. You just have to know when to stop. 

Once upon a time I would try to refine and nit-pick at every. single. little. detail. I always wanted everything to be perfect. Then someone told me that there is no such thing as being finished, it's just knowing when to stop. Nowadays I still live by that same rule. 

So what does this all mean for me today? It means things are changing and they will always change. There are only two things I can do about change. I can either agree and embrace it, or I can disagree and fight like hell to be myself.

This post is also on Stokefire

Creative Findings

I’ve always talked about staying creative and finding inspiration every where you go. One way is to utilize books. Two great books I’ve mentioned in the past are: “Caffeine for the Creative Team” and “Caffeine for the Creative Mind,” by Stefan Mumaw and Wendy Lee Oldfield. Another way to get yourself into the creative zone is to review what other people have done. Perhaps it will spark an idea for new packaging, business card, or even a strategic marketing plan. There many wonderful websites out there that share all sorts of creativity and as much as I want you to stay on our site I’m going to share a few of my favorite go-to places with you today.

Bench.li – Wonderful clean simple design inspiration. This site seems to have a heavy interest in print – one of my favorites.

DesignInspiration – Another great place for design.

The Dieline – Design examples for all sorts of products.

The Inspiration Room – Creativity from around the world, there always seems to be a lot of videos here.

The Story of Telling – Even reading a Creative’s blog helps to loosen up those creative oils.

Finding inspiration every where we go helps us learn and grow, and I personally try to look for it every single day. Inspiration can come in big and small packages, you just have to know where to find it. Go – be creative, and share with us what you come across.

*All images above were found on the blogs mentioned above. Thank you to you all for the great inspiration!

This post also on Stokefire